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Be a Great Garden Photographer!
A Primer for Taking Good Pictures
by judywhite
Tips for
Photographers with
Cameras that have Manual Settings
- Congratulations.
You're 75% of the way toward taking better photos. A
camera with manual overrides gives you great control over
how your pictures ultimately look.
- Don't shoot at
noon, or any time the sun is shining brightly.
Bright sun just bleaches out your pictures and makes them
too contrasty, with little detail visible. Shoot on
overcast days, or early in the morning, or late in the
afternoon, when the sun's rays are much more slanted and
inviting. The results will be richer in color and detail.
Carefully choose the time you shoot. Of course, there
will be times when you absolutely want a bright blue sky
in the picture; in which case you generally shoot with
your back to the sun, unless you are trying to achieve a
backlit effect of the sun shining through plant
foliage.
- Shoot when there
is no wind blowing at all. This will enable you
to shoot at very slow shutter speeds without blurring the
image.
- Use a
tripod. This is essential. A tripod will enable
you to shoot at slower speeds. Slower speeds mean that
the film is able to take longer in putting the color
saturation into your photos, and the results turn blah
pictures into professional ones. A tripod is one of the
greatest tricks of the professional trade. Use it. A
tiltable head is also a good option with a tripod, as is
a "quick-release" mount that lets you snap the camera off
and on the tripod without having to unscrew and screw it
on and off each time you need to reload film. Some
tripods also come with screw-in holes for a carrying
strap (Bogen, for example), which aids in lugging the
tripod around.
- Use good,
branded low-ISO film, preferably with an ISO of 100 or less. High-speed film is pretty awful for flower photography; the colors just bleach right out. Low-speed film, such as 50 or 64 or 100, takes longer in letting colors saturate your photos, which is good. Slide film is essential if you intend to sell your photos for publication, but if you just want prints of your photos, then use print film. Making prints from slides is very costly. Tips on slide film.
- Choose the
f-stop first, then choose the shutter speed, not the
other way around, if possible. Most of the time you will want sharp images, so shoot at the smallest-open lens opening, which is actually the largest number of the f-stop, the numbers on the lens ring. This will give the greatest depth-of-field, which is the sharpness of the photo from the front of the picture all the way to the back. A small lens opening f-stop is the largest number on your lens, such as 22, 32. This actually means 1/22 and 1/32, and is the measure of the diameter of the lens opening. Tips on choosing lenses.
- Measure the
shutter speed needed to shoot at your preferred
f-stop. Use your in-camera metering once you've
set the f-stop, and see what it recommends as the shutter
speed. And here's the best trick on metering I
can give you: Don't automatically meter at the place you
plan to shoot, especially if it's a white flower or a
dark red one. Choose something nearby that is a standard
green, like the lawn or a medium-green leaf, and meter
off that. Then set your speed based on that
reading. Then go back and compose your shot and shoot at
that metered reading. In order to shoot at f-stops of 22
or 32, you'll need to shoot at a shutter speed that gives
the right exposure for that f-stop. On an overcast day
with film of 100 ISO, shooting at an f-stop of 22 might
result in needing a shutter speed of 1/4 second, or 4 on
your speed dial.
- Compose the shot
carefully, especially in close-ups. Look to make
sure there are no distracting objects (sticks and stakes,
discolored leaves, debris, etc.) in the shot, and avoid
patches of plain dirt.
- Before you
shoot, check the depth-of-field with the preview
button. Make sure the image is clear all the way
to the front of the picture (unless you're shooting an
"arty" shot that fuzzes out the front and back, but make
sure that's your choice, not happening by accident).
Focus about 1/3 of the way into the shot, and change your
focus while holding down the depth-of-field preview so
you can see where you might change the focus to get more
clarity throughout the image. The depth-of-field button
is also very useful in letting you see distracting
elements in your composition.
- Use a shutter
cord to depress the button. This will eliminate
camera shake that often happens at slow shutter speeds if
you press the button with your finger. If you don't have
a shutter cord with you, use the camera's timer to
automatically release the shutter without pressing
it.
- Bracket on
either side of your metered reading. This means
to change either the f-stop or the shutter speed by 1/2
stop down or 1/2 stop up, and take a shot at each
setting. 1/2 stop up means giving the film more light, by
turning the f-stop halfway to the next lower number, or
by turning the shutter speed halfway to the next lower
number (and vice versa for 1/2 stop down, which gives the
film less light). You may also have a separate exposure
compensation dial on your camera that lets you bracket by
using this dial instead of having to actually move the
f-stop or shutter speed dial. Bracketing will help
enhance the chances that the exposure will be perfect.
This is less essential when shooting print film, but
slide film is very unforgiving, and it will help
immeasureably in giving you excellent exposures.
- Keep the
developed film out of heat and light, and develop as soon
as possible at a reputable developer who uses
brand-name paper and chemicals. Undeveloped film should
also be kept protected from heat and light; if it's
professional film such as Velvia, keep it refrigerated,
otherwise the colors can "shift" and change to odd
tones.
Tips on Buying a Manual Camera
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copyright 1997, 1998, 1999, 2000-2004 judywhite/GardenPhotos.com. All
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